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The Spy Who Loved Martinis

The upcoming Bond film has a grim fate in store for 007.   Olives are not the only fruit. Even as Hawkeye Pierce declared those of them doused in gin the only green vegetables he ate, a particular...

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No Sense Of An Ending

Like in a breakup, Bollywood wraps things up messily. A girl I know grew up believing that The Sound Of Music ended with the “So Long, Farewell” song. What with parents turning off the videotape before...

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The director you need to know

A brief introduction to the director of The Avengers. (And Firefly.)   Back in the winter of 2007 and stretching right into early 2008, the Writers Guild of America went on strike, crippling both...

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The legitimisation of the laffanga

Current Hindi cinema is firmly in favour of the uncouth.   There’s a reason we call leading men heroes, and part of it has to do with them acting the part. They need to come through and pole-vault over...

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Oh, those Bollywood boomerangs

However far life or Fridays fling ‘em, stars are just a comeback away. I was twelve when Karisma Kapoor ‘scandalised’ the nation with a song called Sexy Sexy Sexy Mujhe Log Bole. It was a rage and,...

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Yash Chopra, storyteller to the end

I’ve always had a bone to pick with Mr Yash Chopra. A longtime admirer of his work, as most of us are —for he did it all, from breathless chases through crammed by-lanes to dreamily billowing saris in...

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Jaspal Bhatti, the one and only

The first time I heard of Jaspal Bhatti I’d already stolen from him. I was nine and trying to make a movie with my best friend, Varun Bahl. We tried hard to write a funny enough script, but nothing...

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Why Kareena will remain Kareena

Even the Married Woman stereotype is red hot. The pallu that, in one strategic slip, changes gears from bashful to boastful. That oomph that comes from experience. That smile which knows which men to...

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How Steven Spielberg brought Bollywood closer

It all began with a glass of water. We all have our own gateways into the wondrous world of Steven Spielberg. From the glowing doorway in Close Encounters Of The Third Kind to the first sighting of the...

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Rituparno Ghosh, tender as the night

I met Rituparno Ghosh earlier this very month when he invited me on the sets of his new film, Satyanweshi, in Calcutta. Ghosh and I shared some common friends and had tweeted cordially to each other...

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So many heroes, only one Pran

So much lay in that smirk. Even if the smirk was frequently invisible behind a tough mouth. A mouth that was, in turn, protected from absolute inscrutability by a slight curling of the lip, toward a...

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Young love beats afresh with Shuddh Desi Romance

Shuddh Desi Romance begins like Annie Hall. Which is to say it begins unlike any other Hindi movie romance, ever. A character talks to the camera, equates relationships and commitment to Vikram and...

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A lyric for Lou Reed

(Because paragraphfuls of prose just didn’t feel right.)     He stumbled and he rumbled,                            he fumbled and he humbled  and he did it all drunk as a monk.    He sailed and he...

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Sachin From The Stands: Day One

(Reporting from the cheap seats, that last time.) The most curious thing on the ticket for the second match in the India vs West Indies test ‘series’ is a warning that “banners, flags etc” displaying...

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Who dare compare to Peter O’Toole?

British actors have always taught us how to speak. We in India have never quite been able to cast off our post-Colonial hangover, and it is that — coupled with a rigid love for perfectly enunciated...

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Michael Matters: Our virtual vigil by Schumacher’s side

I owe Michael Schumacher my career. Writers write, quite simply, because they must. What they write, however, makes for a far more fiendish decision. I’d dabbled with journalism, copywriting, poetry...

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Philip Seymour Hoffman: Goodbye, Master

That fat guy. The first time I saw Philip Seymour Hoffman was in Scent Of A Woman, playing an uppity prep-school bully. I vividly remember that floppy hair falling onto his round face, scrunched up all...

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Harold Ramis: So long, beloved Ghostbuster

There is a cycle, and the sight of a man falling from it is often hilarious. Writing about it, on the other hand, is less so. Explaining a joke — especially a bit of timeless slapstick, as with the...

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Everything about The Oscars, 2014

In which I collate everything I’ve written about this year’s Academy Awards, and then present you with a singularly weird column. But we’ll get to that. First, the links: Previews: Can American Hustle...

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Hrishikesh Mukherjee: Art For Heart’s Sake

Sunday morning, I changed the caller tune on my phone. Moved from an English oldie to Har seedhe raste ki ek, the fabulous title song from Golmaal. About eight hours later, a colleague messaged me the...

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